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A REFERENCE UUH FOR Llb^nv, J'-t ONLY Operations Research With Special Reference to Non-Military Applications A Comprehensive Scientific Aid to Executive Decisions OPERATIONS Research (or, as the British say, Operational Research) is ...

Many years ago, C.B. Martin drew our attention to the possibility of ‘finkish’ dispositions: dispositions which, if put to the test would not be manifested, but rather would disappear. Thus if x if finkishly disposed to give response r to stimulus s, it is not so that if x were subjected to stimulus r, x would give response z; so finkish dispositions afford a counter‐example to the simplest conditional analysis of dispositions. Martin went on to suggest that finkish dispositions required (...) a theory of primitive causal powers; there, I think, he was mistaken. All that they require is an improved conditional analysis, and this improved analysis can be built upon whatever treatments of properties and of laws we may favour on other grounds. (shrink)

The first volume of this series presents fifteen selected papers dealing with a variety of topics in ontology, philosophy of mind, and philosophy of language.

The first volume of this series presents fifteen selected papers dealing with a variety of topics in ontology, philosophy of mind, and philosophy of language.

This paper consists of commentaries about and the reprint of an autobiographical essay authored by Italian medium Eusapia Palladino and published in 1910. The details of the essay are discussed in terms of the writings of other individuals about the life and performances of the medium. The essay conveys a view of Palladino as a person who has suffered much in life and has a mission to help scientific research into mediumship. Typical of the positive emphasis in autobiographies in general, (...) the medium did not discuss negative aspects of her performances. Due to the fact that the essay appeared during Palladino's visit to New York City in which many authors branded her as a fraud, it may be speculated that the purpose of this autobiography was to elicit sympathy from the American public. While some of the statements that Palladino made about phenomena are consistent with the statements of other authors who have written about her, there are several statements that show alternate or incomplete versions of particular events in her life. The differences suggests that Palladino's essay and other discussions about the medium's life are not reliable when it comes to specific details and to biographical accuracy. (shrink)

It seems clear that Virgil, Horace, and Tibullus knew, if not the third Sibylline Oracle itself, prophecies like it. An unnoticed parallel between that work and Horace may confirm this conclusion and afford a small insight into the Latin poet's art.

In view of the importance of the philosophical method argued in Mr. C. I. Lewis's “Experience and Meaning,” I wish to call attention to ambiguities which may have an important bearing on one of his conclusions. The method for which he argues is a certain empirical test of meaningfulness. It is his ‘positivistic’ inference from this method which I wish to challenge. To do so I shall present four points: A summary of his empirical test of meaningfulness; A ‘non-positivistic’ hypothesis (...) which Mr. Lewis rejects; An analysis of this hypothesis in view of his test; The theory of universals implied in my analysis. (shrink)

It seems clear that Virgil, Horace, and Tibullus knew, if not the third Sibylline Oracle itself, prophecies like it. An unnoticed parallel between that work and Horace may confirm this conclusion and afford a small insight into the Latin poet's art.

The explanation of the vexed phrase ‘auditor et ultor’ given by Professor E. Fraenkel on p. 349 of his Horace marks a great improvement on previous interpretations. Auditor he translates as ‘pupil’ and ultor he explains as ‘rescuer’ . However I very much doubt whether ultor can in fact bear this meaning. Whatever may be the case with vindex and vindico, I have found no instance of ultor meaning anything but ‘avenger’ or ‘punisher’. Fraenkel takes ‘nobilium scriptorum’ as the (...) Greek poets ‘whose form and spirit he attempted to renew in a different tongue’ 2. (shrink)

Although not tenable in details, Porphyrion's interpretation seems to me generally preferable to Bentley's, despite the very wide acceptance of the latter. Horace is in all seriousness defending his claim to originality. On the Bentleian interpretation, it is a curious defence that he is made to offer.

Psychology does not get rid of its problems by taking experience at its face value, for it is the province of psychology to study problems arising when experience is taken at its face value. Only in actual lived experience is concrete reality to be found in its fullest sense. All reality which is experience includes attributes both spatial and temporal. Objects cannot b7 considered in the first place apart from such attributes. Physical objects are perceived as parts of a total (...) situation and there is merit in the suggestion of the Gestalt psychologists. Always much will be found in the perceptum which will not correspond with the physical object, since the physical object is only an abstract. The effort to control our environment has led to a sophisticated attitude toward perceptual experience, which is said in psychological circles to lead to the stimulus error. Those who have seen children gradually grow into a realization of the unreliability of perception—for purposes of muscular manipulation—will understand what is meant. (PsycINFO Database Record (c) 2009 APA, all rights reserved). (shrink)

Although not tenable in details, Porphyrion's interpretation seems to me generally preferable to Bentley's, despite the very wide acceptance of the latter. Horace is in all seriousness defending his claim to originality. On the Bentleian interpretation, it is a curious defence that he is made to offer.

The most characteristic feature of all satirical writing appears to be its elusiveness. Though much work has been done in recent years on satire, no definition has as yet been offered that has met with general approval. However, to some extent Roman verse satire seems to be the exception that proves the rule. For in view of the statements which the main representatives of this genre themselves have made on their satires, most modern critics are agreed on their major characteristics. (...) Yet some poems which the ancient satirists included in their collections have not been accepted as satires by contemporary scholars, while others seem to have eluded satisfactory interpretation, as e.g. Horace's fourth satire of the second book. (shrink)

Horace addresses Torquatus again in Carm. 4.7. There the poet distinguishes three cardinal qualities: Torquatus's genus, his facundia, and hispietas. Since Horace distinguishes them they were no doubt qualities on which Torquatus prided himself, but they are, in any case, the key by which Torquatus slips into Horace's lyric. I suggest that we can use the same key to open up the Epistle, and that by taking up these qualities we have ready access to the wit of (...) the poem, carefully predicated upon its addressee. (shrink)

The most characteristic feature of all satirical writing appears to be its elusiveness. Though much work has been done in recent years on satire, no definition has as yet been offered that has met with general approval. However, to some extent Roman verse satire seems to be the exception that proves the rule. For in view of the statements which the main representatives of this genre themselves have made on their satires, most modern critics are agreed on their major characteristics. (...) Yet some poems which the ancient satirists included in their collections have not been accepted as satires by contemporary scholars, while others seem to have eluded satisfactory interpretation, as e.g. Horace's fourth satire of the second book. (shrink)

I begin by quoting from two valuable recent works on Horace. Professor Brink in his Horace on Poetry writes: ‘The centre of the short piece lies in lines 21—34. Readers, among them critics and poets, had denied one aspect of the Odes which was surely above criticism—the striking originality of these poems. Horace's defence turns on the question of originality’ and ‘Epistle 19 is unique in that it alone among the literary satires and letters reiterates Horace's (...) claim to be the Latin fidicen’ . And Dr. McGann in his Studies in Horace's First Book of Epistles : ‘In Ep. 19... as in the literary satires, Horace is a practising poet or at least a very recently practising one, engaged in defending himself against hostile criticism’ and ‘As the only epistle concerned exclusively with literary matters, the nineteenth stands apart’. (shrink)